For the past few months, I have waited anxiously for the “new” Epic Records to unveil projects from its fresh line-up of R&B singers. Much of this excitement was fueled by Antonio “L.A.” Reid’s attachment to the label, as well as his meticulous selection of executives to assist him with its rollout. Adding an additional layer of excitement, Christopher “Tricky” Stewart was designated as the president of A&R; his brother, Mark Stewart, was named EVP of A&R operations. On April 10, 2012, the label released one of its first major projects: a soundtrack to the comedy film adaptation of Steve Harvey’s Act Like A Woman, Think Like A Man. For this particular release, “Tricky” served as executive producer.

Considering the massive success of the original New York Times bestselling non-fiction text, the pressure was on to match the literary predecessors accomplishments visually – and sonically, with original music for its motion picture soundtrack. In both respects, the mission was soundly accomplished – and the Think Like a Man soundtrack is worthy of residence in the penthouse suite of Billboard’s top albums chart.

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Gary Owen

Date of Interview: 04/17/2012

Gary Owen has spent his professional career balancing – and bucking against – the racial demarcations of the comedy world. Over the past 15 years, he has earned a solid reputation as one of America’s up-and-coming kings of comedy. Although a white man with a large black fan base, Owen’s success is derived from his zany storytelling of intimate “fish out of water” experiences that prove life – and laughter – are bound universally.

Gary Owen: True Story – a Showtime comedy special – aired on May 10, 2012. In support of the DVD release, Gary Owen managed to squeeze some time out of his busy schedule to settle down for an interview with Clayton Perry – reflecting on the influence of BET’s Comic View, overcoming naiveté, and his work beyond the comedy club stage.

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Date of Interview: 04/12/2012

Since 2005, Dawn Richard has proven – without fault – that she is an eclectic musical artist with tremendous staying power. Garnering international acclaim as a member of Danity Kane and Diddy-Dirty-Money, in pursuit and preparation of a solo career, she has deftly balanced and seamlessly transitioned between “pop” and “urban” aesthetics. With the blessing of Sean “Diddy” Combs, Dawn left Bad Boy Records in 2011; the following year, she would independently release the gold-selling Armor On EP via Our Dawn Entertainment and Cheartbreaker Music Group.

Armor On serves as musical appetizer for her debut album, Golden Heart. In support of the music video debut for “BOMBS,” Dawn Richard spoke with Clayton Perry about the influence of New Orleans’ Mardi Gras Indians, her childhood passion of marine biology, and the artistic traditions cultivated by her parents.

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Sharon Leal

Date of Interview: 04/11/2012

Sharon Leal is one of Hollywood’s best-kept secrets. Her acting work on Broadway (Miss Saigon, Rent), on television (Guiding Light, Boston Public) and in film (Dreamgirls, Why Did I Get Married?) shine as testaments to her versatility. Collectively, her film projects have amassed over $300 million in box office receipts.

In the midst of a promotional campaign for Woman Thou Art Loosed: On the Seventh Day, a T.D. Jakes film directed by Neema Barnette [theatrical release, April 13, 2012; DVD release, September 4, 2012], Sharon Leal managed to squeeze some time out of her busy schedule and settle down for an interview with Clayton Perry – reflecting on the marketing of African-American films, the power of Tyler Perry’s brand, and the faith required to succeed in Hollywood.

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Date of Interview: 04/08/2012

Over the past two decades, Greg Tate has garnered a reputation – and eventually dubbed by The Source magazine – as a “Godfather of hip-hop journalism.” Much of his most-popular writings were published during his stint as a staff writer with New York City’s Village Voice between 1987 and 2003. Greg Tate’s publications extended beyond the outlet, however, and include the following titles: Flyboy in the Buttermilk: Essays on Contemporary America (New York: Simon & Schuster, 1992), Everything But the Burden: What White People Are Taking From Black Culture (New York: Broadway Books, 2003) and Midnight Lightning: Jimi Hendrix and the Black Experience (Chicago: Lawrence Hill Books, 2003). His forthcoming works: Flyboy 2: The Greg Tate Reader (Duke University Press) and James Brown’s Body and the Revolution of the Mind (Riverhead Press).

A co-founder of the Black Rock Coalition, Greg Tate also serves as the leader of Burnt Sugar, an improvisational band that fuses funk, jazz, rock, and African music through experimental – yet cohesive – performance. Currently, he is serving as a Visiting Professor of Africana Studies at Brown University. In 2010, he was awarded a United States Artists fellowship, an organization whose mission statement is “to invest in America’s finest artists and illuminate the value of artists to society.”

In response to a “special request,” in support of the body of literature composed during his incredible journalism career, Greg Tate managed to squeeze some time out of his busy schedule and settle down for an interview with Clayton Perry – reflecting on his love of hip-hop, the founding of Burnt Sugar, and an “unappreciated” De La Soul emcee.

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Date of Interview: 03/01/2012

Dr. Kenneth T. Whalum, Jr., is the Pastor of The New Olivet Baptist Church in Memphis, Tennessee. In addition to his pastoral duties, he is a member of Memphis City Schools’ Board of Commissioners, the Stellar Awards Gospel Music Academy, and the Recording Academy.  Blending a lifetime of wide-ranging experiences, he released his critically-acclaimed book, Hip-Hop Is Not Our Enemy, in 2010.

Hip-Hop Is Not Our Enemy [digital; print] is an insider’s critique of the Black church’s role and responsibility in co-opting hip-hop culture. In support of the book, Dr. Kenneth T. Whalum, Jr., spoke with Clayton Perry about “hip-hop theology,” mainstream condemnation of hip-hop culture, and methods in which the church can connect with members of the hip-hop generation.

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Date of Interview: 02/09/2012

Quincy “QDeezy” Harris is a radio personality for Philadelphia’s Hot 107.9, which is owned and operated by Radio One. As a native of Philly, his reputation – and popularity – have steadily increased since his early years at Clear Channel’s WUSL Power 99 and successful transition to “Big Boy’s Neighborhood,” a syndicated morning show ran by Power 106 KPWR in Los Angeles. Back on his home turf, in a comfortable – and receptive – artistic space, QDeezy tapped into another passion: film.

As the producer and principle star of Exit Strategy, QDeezy leveraged the relationships fostered in radio and brought them to the film project. Among the many “cards” tucked into his “sleeve,” a cameo appearance by long-time friend Kevin Hart. In the midst of a promotional campaign for Exit Strategy (theatrical release, February 10, 2012; DVD release, June 5, 2012), Quincy “QDeezy” Harris spoke with Clayton Perry about the independent film landscape, the value in fostering quality professional relationships, and the importance of “striking while the iron is hot.”

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Date of Interview: 02/08/2012

Kim Fields (Facts of Life and Living Single) is a veteran actress who has successfully transitioned into the director’s chair. Equally talented in both roles, she has spent her talents most recently as the lead director on Tyler Perry’s House of Payne and Meet the Browns. She has also lent her directorial talents to BET’s Let’s Stay Together. As the daughter of Chip Fields, an actress and television director, Kim has been developing her talents – implicitly and explicitly – for her entire lifetime.

Bitten by the “acting bug,” Kim Fields removed her “director’s hat” temporarily and revisited her first love. On February 18, 2012, the Gospel Music Channel (CMG) premiered A Cross to Bear – directed by Tandria Potts – in which she starred as Joan. The original screenplay was crafted by Cas Sigers Beedles and Terri J. Vaughn and features Angie Stone and Kenny Lattimore in the lead roles.

On November 1, 2010, Kim Fields was awarded the “Industry Trailblazer Award” by Atlanta’s Women in Film and Television organization. In support of A Cross to Bear, a trailblazing project in its own right, Kim Fields spoke with Clayton Perry about the professional “crosses” women must bear in Hollywood, her frustration with entertainment’s status quo, and learning the importance of “staying in her lane” as an actor-director.

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Date of Interview: 01/27/2012

Julie Frost is known internationally for her songwriting and music production talents. Her recent Golden Globe win in 2011 for “Best Original Song in a Soundtrack” (Madonna’s “Masterpiece” from W.E.) follows her 2010 win at the Eurovision Song Contest as the competition’s first American victor. The winning selection: “Satellite,” a song performed by Lena Meyer-Landrut and co-written with Dane John Gordon, which debuted at number-one in Germany and attained double-platinum certification.

The life journey of Julie Frost – from rural Vermont to the sunny skies of Los Angeles – is just as diverse as her music catalog. Her discography includes songs by the Black Eyed Peas (“Just Can’t Get Enough”), Beyonce Knowles (“Countdown”), Pitbull (“Castles Made of Sand”) and Cody Simpson (“On My Mind”). Shortly after her Golden Globe recognition, Julie Frost managed to squeeze some time out of her busy schedule and settle down for an interview with Clayton Perry – reflecting on her mother’s love of John Taylor, her father’s songwriting advice, and the music scene in Chicago – the city of her “musical birth.”

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Aside  —  Posted: January 27, 2012 in interview, music
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Date of Interview:
 01/19/2012 (Part 1) + 08/17/2011 (Part 2)

The non-conforming spirit of Skylar Grey may be the key to her musical genius. With five GRAMMY nominations secured over two productive years, it is easy to forget that Skylar’s songwriting talents have bolstered the careers of established acts, while crafting the blueprint for her “takeover” of the music establishment. Invinsible, a portmanteau of “invisible” and “invincible”, will serve as the singer-songwriters major label debut.

Prior to the album’s launch, KIDinaKORNER Records and Interscope Records released The Buried Sessions of Skylar Grey. The digital EP features raw cuts of her songs previously performed by Diddy-Dirty Money (“Coming Home”) and Lupe Fiasco (“Words I Never Said”), as well as Eminem and Rihanna (“Love the Way You Lie”). In support of the Buried Sessions and the highly-anticipated release of Invinsible, Skylar Grey squeezed some time out her busy schedule in order to settle down for a two-part interview with Clayton Perry – reflecting on Kaskade’s “Room for Happiness” remixes, the quality time spent with Marilyn Manson, and self-discovery in the process of finding comfort in one’s skin.

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