Date of Interview: 04/17/2012
Gary Owen has spent his professional career balancing – and bucking against – the racial demarcations of the comedy world. Over the past 15 years, he has earned a solid reputation as one of America’s up-and-coming kings of comedy. Although a white man with a large black fan base, Owen’s success is derived from his zany storytelling of intimate “fish out of water” experiences that prove life – and laughter – are bound universally.
Gary Owen: True Story – a Showtime comedy special – aired on May 10, 2012. In support of the DVD release, Gary Owen managed to squeeze some time out of his busy schedule to settle down for an interview with Clayton Perry – reflecting on the influence of BET’s Comic View, overcoming naiveté, and his work beyond the comedy club stage.
“Think Like A Man” Soundtrack Dares to “Be Epic”
Posted: April 30, 2012 in commentary, musicTags: "Think Like A Man", A&R, Antonio “L.A.” Reid, Brandon Hines, Christopher "Tricky" Stewart, contemporary R&B, culture, entertainment, Epic Records, Jennifer Hudson, John Legend, Marcus Canty, Mark Stewart, media, music, New York Times bestselling non-fiction, original motion picture soundtrack, Quadron, R&B, RaVaughn, Steve Harvey, Sylvia Rhone, The X Factor
For the past few months, I have waited anxiously for the “new” Epic Records to unveil projects from its fresh line-up of R&B singers. Much of this excitement was fueled by Antonio “L.A.” Reid’s attachment to the label, as well as his meticulous selection of executives to assist him with its rollout. Adding an additional layer of excitement, Christopher “Tricky” Stewart was designated as the president of A&R; his brother, Mark Stewart, was named EVP of A&R operations. On April 10, 2012, the label released one of its first major projects: a soundtrack to the comedy film adaptation of Steve Harvey’s Act Like A Woman, Think Like A Man. For this particular release, “Tricky” served as executive producer.
Considering the massive success of the original New York Times bestselling non-fiction text, the pressure was on to match the literary predecessors accomplishments visually – and sonically, with original music for its motion picture soundtrack. In both respects, the mission was soundly accomplished – and the Think Like a Man soundtrack is worthy of residence in the penthouse suite of Billboard’s top albums chart.
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